I would argue that the two sound flavors of major and minor, even though essential to know are however just too limiting for people who are looking for the unusual and exotic sounds of jazz and blues. What about the newcomer to music? Who was interested in the exotic sounds of jazz and blues? Where will he or she just starting out find these alluring, evocative sounds heard in the classics? The inquisitive student will be frustrated if they look for these colorful jazzy musical sounds in the major or regular minor as they are not there. All you need to know sufficient to pass the exam, but wait a minute. The major arpeggio is happy sound and the minor, a sad one and that is it. Traditionally the music student is taught major or minor arpeggios as totally isolated concepts. Jazz duets believes also there is a missing link between the major and minor arpeggios in music and the video you are watching seeks to offer at least some kind of remedy for this. Most people have heard of the idea that there is a missing link between man and apes. ![]() The BLUES ARPEGGIO offers a solution to this massive hole in music education. There is no arpeggio that is taught academically that contains both Major + Minor, that is until now. The previous numbers, from the book "Sing to Jehovah" (2009) are put in brackets, so it will be quite easy to find these as well.įor explanation of the images below, please look at the Legends page.įeel free to click on the titles to watch the tabs on-screen, or click on the images to start downloading files.For the student of improvisation the minor /major 3rd sound dichotomy is essential to know and love as it is arguably the most fundamental sound of Jazz and Blues. Please note: As of this updated website, every song number has changed to suit our newest song book “Sing Out Joyfully to Jehovah” (2016). Similarly, the tabs that I've written, only reflects one of the ways I would play the songs, and not the ONLY way to play them. This means that I only show the basic chords for each passage in the tune, just to give a kind of simplified approach for less-experienced players. Now a little tip about the playing: It works pefectly fine to play any of my arrangments without using a capo (capodrasto), but in order to bring the pitch of the melody in tune with the pitch in our songbook, a capo will be needed.Īnd regarding my written chords in the tabs sheets: It's hardly possible to write unique chords for every change in the tabs, so the chords written are just for guiding purposes. There are many things that require our time, and just like you guys, I think it's important to find balance in how I spend my time. Maybe I'll make some more tabs too, but I don't know yet. Now, in 2017, the number of my different kingdom melody tabs has reached about sixty. ![]() And when we got the Norwegian version of the new song book 'Sing to Jehovah' in 2009, I started on a review of the book to find songs that were easy to create even more tabs from. My first attempts to create tabs was somehow a bit childish, but I got better eventually. Back then, I didn't realize that you guys would be asking me all these questions to also make tabs from my arrangements. ![]() So, by the end of january 2008, I finished uploading eight kingdom melody videos, in addition to a couple of other songs. In late 2007, a friend of mine dared me to make myself a YouTube-channel and share some recordings of my guitar playing and interpretations.
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